NanaCourier Corporation, 21/09/2012 - 352 من الصفحات We first meet Nana in the Variety Theatre, where the captivating eighteen-year-old is appearing in the lead role of a musical—even though she can't act or sing. "Nana has something that makes up for everything else," the theater owner explains, and he's right. Instead of booing her off the stage, the crowd howls with admiration. She has disrobed by the third act, and her career as a femme fatale is off to a sensational start. Nana crawls out of the gutter to ascend the heights of Parisian society, devouring men and squandering fortunes along the way. Zola begins the story of French realism's most beguiling siren in 1867, amid the decadence and moral decay of France's Gilded Age. Nana's corruption reflects the spirit of her era, her prostitution symbolizing the degenerate state of Second Empire politics and society. Hailed as one of the first modern novels, Nana addresses contemporary subjects with realistic observations, dialogue, and scenarios. Its publication sparked a heated controversy that made it an overnight bestseller, and it has long since reigned as a classic of French literature. |
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الصفحة 2
... endeavouring to obtain seats. “There's Bordenave!” said Fauchery, as he and Hector descended the stairs. But the manager had caught sight of him. “You are a nice fellow,” he called out . “ That is the way you write 2 Emile Zola.
... endeavouring to obtain seats. “There's Bordenave!” said Fauchery, as he and Hector descended the stairs. But the manager had caught sight of him. “You are a nice fellow,” he called out . “ That is the way you write 2 Emile Zola.
الصفحة 3
Emile Zola. called out . “ That is the way you write me a notice , is it ? I opened the ' Figaro ' this morning — not a word . ” “ Wait a bit , ” replied Fauchery . “ I must see your Nana before I can write about her . Besides , I made ...
Emile Zola. called out . “ That is the way you write me a notice , is it ? I opened the ' Figaro ' this morning — not a word . ” “ Wait a bit , ” replied Fauchery . “ I must see your Nana before I can write about her . Besides , I made ...
الصفحة 4
... called them , Clarisse or Simone , did not do as she was told , he just kicked her behind . If he treated them differently they would never leave him any peace . He dealt in them , and he knew what they were worth , the hussies ! “ Ah ...
... called them , Clarisse or Simone , did not do as she was told , he just kicked her behind . If he treated them differently they would never leave him any peace . He dealt in them , and he knew what they were worth , the hussies ! “ Ah ...
الصفحة 15
... called the “Boule Noire,” on a Shrove Tuesday. Some masqueraders, dressed in grotesque costumes, sang a lively strain, the chorus of which they accompanied by stamping their heels. The words and gestures being not over decorous and ...
... called the “Boule Noire,” on a Shrove Tuesday. Some masqueraders, dressed in grotesque costumes, sang a lively strain, the chorus of which they accompanied by stamping their heels. The words and gestures being not over decorous and ...
الصفحة 18
... called him. She was standing just outside the door of her box. The heat, she said, was intol- erable inside; so, in company of Caroline Héquet and her mother, she blocked up the whole width of the passage, crunching burnt almonds. One ...
... called him. She was standing just outside the door of her box. The heat, she said, was intol- erable inside; so, in company of Caroline Héquet and her mother, she blocked up the whole width of the passage, crunching burnt almonds. One ...
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amused Anton Chekhov appeared arms asked became beneath Blonde Venus Bordenave Bosc burst called carriage chair chemise Chezelles Clarisse Count Muffat cried crowd Daguenet door drawing-room dress dressing-room everything exclaimed eyes face Faloise Fauchery fellow felt filly Folies-Dramatiques Fondettes Fontan Foucarmont Fougeray Gaga gentlemen George girl glance hair hands hastened head kiss knew La Faloise Labordette ladies laugh leave light listened little Louis looked Lucy Lusignan Madame Hugon Madame Lerat Madame Maloir Marquis de Chouard midst murmured Nana Nana’s never night o’clock once pale Paris passed Philippe prince Prullière replied resumed returned Rose Mignon round Satin seated seemed seized shoulders Simone smile Steiner stood stupid suddenly talked theatre thing thought thousand francs tone of voice turned Vandeuvres Venot waiting whilst William Shakespeare window women words young woman Zoé