International Handbook of Research in Arts EducationLiora Bresler Springer Science & Business Media, 04/09/2007 - 1629 من الصفحات Providing a distillation of knowledge in the various disciplines of arts education (dance, drama, music, literature and poetry and visual arts), the Handbook synthesizes existing research literature, helps define the past, and contributes to shaping the substantive and methodological future of the respective and integrated disciplines of arts education. While research can at times seem distant from practice, the Handbook aims to maintain connection with the lived practice of art and of education, capturing the vibrancy and best thinking in the field of theory and practice. The Handbook is organized into 13 sections, each centering on a major area or issue in arts education research. These areas include: History of arts education, curriculum, evaluation, cultural centers, appreciation, composition, informal learning, child culture, creativity, the body, spirituality, and technology. The individual chapters address cross-cultural research related to the central theme of the section from the perspectives of the particular arts discipline. Interludes provide reflective thoughts on the theme. |
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... structure of the handbook is its commitment to international perspectives. Indeed, the scholarship outside the mainstreams of academia in North America, England and Australia is significant and compelling. International literature is ...
... structure a story into historical periods. Such periods might include: (1) a prehistory of informal means of art education up to the Renaissance in European-dominated nations, roughly ca. 100 BCE-ca. 1600, later in the Pacific Rim or ...
... structures that housed art collections, planning parks to surround cultural destinations, and designing posters to tell visitors what they might see. Bourdieu (1996) argues that most artistic fields have a dualistic structure ...
... structure and content of education, included drawing as a compulsory subject at all levels of schooling (Karpati & Gaul, 1997). The second Austro-Hungarian educational code in 1806, however, abolished drawing from secondary grammar ...
... structure of art works, while yet another was the determination that all works of art are political. Collectively, these changes were characterized as a “reductive assimilation of literature to ideology” (1994, pp. 1–2). With some ...
المحتوى
7 | |
39 | |
45 | |
67 | |
95 | |
102 | |
141 | |
Experiencing the Visual and Visualizing Experiences | 179 |
Visitors | 679 |
Questions Asked in Artmuseum Education Research | 701 |
Art Information Arts Learners The Role of Libraries 721 | 720 |
An Exploration of Music | 729 |
Cultural Centers and Strategies of Being Creativity | 755 |
Informal Learning | 777 |
Two or More Forms of Music | 799 |
Learning Aesthetic Values in African Musical Worlds | 803 |
International Commentary | 194 |
Drama and Theater in the Curriculum | 203 |
Narrative as Artful Curriculum Making | 219 |
Imagining Ms Eddy Alive or the Return of the Arts Teacher | 239 |
Dance Curriculum Research | 245 |
Music and Arts Education from the Point of View | 265 |
Curriculum and Instruction | 313 |
Assessment and Evaluation | 335 |
Harmonizing Assessment and Music in the Classroom 361 | 360 |
Reflections on a Line from Dewey | 389 |
Assessing English within the Arts | 395 |
Wrestling with Assessment in Drama Education | 409 |
Assessment and Evaluation in Education and the Arts | 423 |
Composition | 445 |
Compositional Process in Music | 453 |
Four Metaphors of the Composing Process | 477 |
Metaphor and the Mission of the Arts | 497 |
Writing and Devising Performance | 503 |
Research in Choreography 517 | 516 |
Art and Metaphor Body and Mind | 533 |
Composing in Visual Arts | 543 |
Appreciation | 562 |
The Weakest Link in DramaTheater Education 587 | 586 |
Exploring Similarity and Difference 605 | 604 |
The Changing Role of Poetry | 623 |
Teaching Toward Appreciation in the Visual Arts 639 | 638 |
The Arches of Experience | 657 |
Excerpts from | 666 |
An Ethnomusicological Perspective | 829 |
Child Culture | 857 |
Implications of the Notion | 864 |
Musical Meaning in Childrens Cultures | 881 |
The Culture of Childhood and the Visual Arts 899 | 898 |
A Story of Visual Cultural and Pedagogical Webs | 917 |
Social and Cultural Issues | 939 |
Human Music 1253 | 1252 |
Creativity Research in Dance | 1273 |
Technology | 1291 |
Computerbased Technology and Music Teaching | 1311 |
Media Technologies | 1331 |
Technology and Arts Education | 1355 |
Technology in Dance Education | 1381 |
Spirituality | 1398 |
Spirituality in the Musical Experience | 1405 |
Art as Selfcultivation | 1425 |
The Force that Rides the Sound | 1443 |
Dance and Spirituality in Educative Practice | 1449 |
Astonishing Wonder Spirituality and Poetry | 1459 |
Concerning the Spiritual in Art Education | 1479 |
Education Spirituality and the Arts | 1495 |
Authors Biographies | 1517 |
International Advisory BoardBiographies | 1545 |
Subject Index | 1555 |
Author Index | 1583 |
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