The Archaeology of Greece: An IntroductionWilliam R. Biers wrote The Archaeology of Greece to introduce students, teachers, and lay readers to the delights of exploring the world of ancient Greece. The great popularity of the first edition testifies to his success. In his preface to the second edition, Biers points out that, while the field of Greek archaeology may seem conservative and slow-moving, it has undergone major changes, especially in regard to work on the Bronze Age. The revised edition brings information on all areas up to date, reflecting the most recent research, and it includes cross references to Perseus II, the interactive electronic data base on Archaic and Classical Greece. This edition includes new illustrations, some of recent finds, some of improved plans, and others added to enhance an explanation or to illustrate a point. |
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الصفحة 123
The use of these figured drawings was probably stimulated by a small group of artists who developed gigantic ... It is almost as if the artist had been more concerned to convey what he was aware of intellectually than what he saw .
The use of these figured drawings was probably stimulated by a small group of artists who developed gigantic ... It is almost as if the artist had been more concerned to convey what he was aware of intellectually than what he saw .
الصفحة 182
A vase by one of these artists , the Amasis Painter , is shown in Figure 7.33 . ... was an artist of great refinement and delicacy.13 In this painting the god of wine , Dionysos , stands watching the antics of satyrs , his favorite ...
A vase by one of these artists , the Amasis Painter , is shown in Figure 7.33 . ... was an artist of great refinement and delicacy.13 In this painting the god of wine , Dionysos , stands watching the antics of satyrs , his favorite ...
الصفحة 268
Further attributions to Skopas move outward from this group , depend- ing primarily on the details that have been mentioned and the artist's general reputation for dramatic , twisted poses . If we may judge from what little is known of ...
Further attributions to Skopas move outward from this group , depend- ing primarily on the details that have been mentioned and the artist's general reputation for dramatic , twisted poses . If we may judge from what little is known of ...
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Agora amphora appear Archaeology architecture artist Athenian Athens base beginning body Bronze Age building built central century changes characteristics civilization Classical coin colors columns common construction continued copies Corinth court Crete decorated designs Deutsches earlier early east evidence examples Excavations fifth century figures figurines finds fourth frieze Geometric graves Greece Greek ground half head Hellenistic indicate influence Institut Italy Knossos known lamps Late later less London mainland meters Minoan monument Munich Museum Mycenae Mycenaean objects original painted Painter palace pediment perhaps period permission Persian Photo Plate pottery preserved probably problems produced reconstruction remains represent Reproduced Roman scenes School sculpture seen shape shown shows side similar standing statue stone Studies style technique temple typical University various vase wall York Zeus