The Archaeology of Greece: An IntroductionWilliam R. Biers wrote The Archaeology of Greece to introduce students, teachers, and lay readers to the delights of exploring the world of ancient Greece. The great popularity of the first edition testifies to his success. In his preface to the second edition, Biers points out that, while the field of Greek archaeology may seem conservative and slow-moving, it has undergone major changes, especially in regard to work on the Bronze Age. The revised edition brings information on all areas up to date, reflecting the most recent research, and it includes cross references to Perseus II, the interactive electronic data base on Archaic and Classical Greece. This edition includes new illustrations, some of recent finds, some of improved plans, and others added to enhance an explanation or to illustrate a point. |
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الصفحة 99
new is seen with the introduction at Athens of Protogeometric pottery , but although the pulse begins to quicken toward the end of the period , it is not until the ninth or even the eighth century that a major recovery can be seen .
new is seen with the introduction at Athens of Protogeometric pottery , but although the pulse begins to quicken toward the end of the period , it is not until the ninth or even the eighth century that a major recovery can be seen .
الصفحة 111
A number of innovations can be seen during the eighth century , many of them linked to the newly reopened contacts with the outside world . Partic- ularly striking is the presence of objects of foreign origin in places where they had ...
A number of innovations can be seen during the eighth century , many of them linked to the newly reopened contacts with the outside world . Partic- ularly striking is the presence of objects of foreign origin in places where they had ...
الصفحة 196
This powerful style has been seen as a creation of Perikles ' circle , espe- cially of his chief artist , Phidias , and as a reflection of their confidence and outlook on life . According to this theory , Phidias ' style , supported by ...
This powerful style has been seen as a creation of Perikles ' circle , espe- cially of his chief artist , Phidias , and as a reflection of their confidence and outlook on life . According to this theory , Phidias ' style , supported by ...
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Agora amphora appear Archaeology architecture artist Athenian Athens base beginning body Bronze Age building built central century changes characteristics civilization Classical coin colors columns common construction continued copies Corinth court Crete decorated designs Deutsches earlier early east evidence examples Excavations fifth century figures figurines finds fourth frieze Geometric graves Greece Greek ground half head Hellenistic indicate influence Institut Italy Knossos known lamps Late later less London mainland meters Minoan monument Munich Museum Mycenae Mycenaean objects original painted Painter palace pediment perhaps period permission Persian Photo Plate pottery preserved probably problems produced reconstruction remains represent Reproduced Roman scenes School sculpture seen shape shown shows side similar standing statue stone Studies style technique temple typical University various vase wall York Zeus