Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece

الغلاف الأمامي
OUP Oxford, 13‏/12‏/2007 - 528 من الصفحات
Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.
 

المحتوى

Prelude to the khoros
1
1 Introduction
13
omitted between Myth Ritual and theoria
56
Mapping out the Argolid in Cultic Song
129
Aiginetan Myth and Delphic Ritual
181
Towards Insular Identity on FifthCentury Rhodes
224
from Epic to Ethnic Identity in Megale Hellas
267
7 Who were the Boiotians? Myths of Migration in Ritual
328
Epilogue
392
Bibliography
402
Indices
449
حقوق النشر

طبعات أخرى - عرض جميع المقتطفات

عبارات ومصطلحات مألوفة

نبذة عن المؤلف (2007)

Barbara Kowalzig is Leverhulme Research Fellow, Royal Holloway, University of London.

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