Music-cultures in Contact: Convergences and CollisionsMargaret J. Kartomi, Stephen Blum Taylor & Francis, 1994 - 289 من الصفحات Contact between cultures may also lead to rejection as well as suppression of certain types of music. This process leads to such unfavorable circumstances as abandonment of entire works, genres or concepts or loss of instruments; yet such conflicts may also generate new and more positive creative achievements. Contributors include Andrew Alter, Tan Sooi Beng, Zdravko Blazekovic, Stephen Blum, Lê Tuân Hùng, Margaret J. Kartomi, Marcello Sorce Keller, Margarita Mazo, Bruno Nettl, Don Niles, William Noll, Jann Pasler, Ankica Petrovic, Chris Saumaiwai, John M. Schechter, Graeme Smith, Doris Stockmann, Sumarsam, and S. Venkatraman. Music -- Cultures in Contact examines how and why change occurs in musical culture, particularly change engendered by contact between two or many impinging cultures, sub-cultures or classes within a culture. This contact can have positive or negative effects. It may result in an influx of new musical ideas, leading to a greater level of crea |
المحتوى
CONTENTS | 4 |
The Eastern Roots of Ancient Yugoslav Music | 13 |
Reflections of Continental and Mediterranean Traditions | 40 |
Has Intercultural | 93 |
INSTITUTIONS AND AGENTS OF CULTURAL INTERACTION | 100 |
Roussel and Delage | 122 |
Adaptive Strategies | 158 |
American Midwestern Schools of Music as Venues | 169 |
The Genesis of the Bush Band | 186 |
Cultural Contact through Music Institutions | 204 |
Conclusion | 245 |
Contributors | 278 |