The Archaeology of Greece: An IntroductionWilliam R. Biers wrote The Archaeology of Greece to introduce students, teachers, and lay readers to the delights of exploring the world of ancient Greece. The great popularity of the first edition testifies to his success. In his preface to the second edition, Biers points out that, while the field of Greek archaeology may seem conservative and slow-moving, it has undergone major changes, especially in regard to work on the Bronze Age. The revised edition brings information on all areas up to date, reflecting the most recent research, and it includes cross references to Perseus II, the interactive electronic data base on Archaic and Classical Greece. This edition includes new illustrations, some of recent finds, some of improved plans, and others added to enhance an explanation or to illustrate a point. |
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الصفحة 106
Two overall systems of decoration were used on Protogeometric pots : a clay - ground technique , in which dark designs were painted on a light clay body , and a dark - ground technique , in which the vase was covered with black glaze ...
Two overall systems of decoration were used on Protogeometric pots : a clay - ground technique , in which dark designs were painted on a light clay body , and a dark - ground technique , in which the vase was covered with black glaze ...
الصفحة 137
The ground plan can be recovered with some assurance . Figure 6.6 shows an extremely long building , over 39 meters in length by more than 14 meters in width , with a central row of five columns in the cella and two in the pronaos .
The ground plan can be recovered with some assurance . Figure 6.6 shows an extremely long building , over 39 meters in length by more than 14 meters in width , with a central row of five columns in the cella and two in the pronaos .
الصفحة 241
Characteristic of this painter are the softly rounded figures , who seem to have relatively boneless extremities . Note how they seem to grasp without holding and how Phaon's foot flows over the curved ground line on which it rests .
Characteristic of this painter are the softly rounded figures , who seem to have relatively boneless extremities . Note how they seem to grasp without holding and how Phaon's foot flows over the curved ground line on which it rests .
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المحتوى
The Mycenaeans | 62 |
The Geometric Period | 110 |
The Orientalizing Period | 132 |
حقوق النشر | |
1 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Acropolis Aegean Agora Excavations Alison Frantz American School amphora appear Archaeology Archaic architecture artist Athenian agora Athens Attica Bronze Age building cella central civilization Classical Studies coin colors columns Corinth Corinthian Cretan Crete cult decoration Deutsches Archäologisches Institut Doric order drapery earlier early east pediment evidence examples fifth century fourth century fresco frieze Geometric graves Greece Greek head Helladic Hellenistic period Herakles Hirmer Fotoarchiv Ionic Kerameikos Knossos known lamps later Lysippos mainland megaron meters metopes Minoan molded monument Munich Mycenae Mycenaean National Archaeological Museum Olympia opisthodomos original painted Painter Parthenon pediment Pergamon Altar perhaps Photo Plate pottery probably pronaos Pylos reconstruction Red Figure Reproduced by permission Roman sanctuary scenes School of Classical sculpture seen seventh century shape shown in Figure shows statue STOA stone Studies at Athens stylobate technique TERRA COTTA FIGURINES Thera tomb typical vase wall Zeus