The Archaeology of Greece: An IntroductionWilliam R. Biers wrote The Archaeology of Greece to introduce students, teachers, and lay readers to the delights of exploring the world of ancient Greece. The great popularity of the first edition testifies to his success. In his preface to the second edition, Biers points out that, while the field of Greek archaeology may seem conservative and slow-moving, it has undergone major changes, especially in regard to work on the Bronze Age. The revised edition brings information on all areas up to date, reflecting the most recent research, and it includes cross references to Perseus II, the interactive electronic data base on Archaic and Classical Greece. This edition includes new illustrations, some of recent finds, some of improved plans, and others added to enhance an explanation or to illustrate a point. |
من داخل الكتاب
النتائج 1-3 من 80
الصفحة 99
new is seen with the introduction at Athens of Protogeometric pottery , but although the pulse begins to quicken toward the end of the period , it is not until the ninth or even the eighth century that a major recovery can be seen .
new is seen with the introduction at Athens of Protogeometric pottery , but although the pulse begins to quicken toward the end of the period , it is not until the ninth or even the eighth century that a major recovery can be seen .
الصفحة 142
This style , although clear enough in its characteristics , can perhaps be seen developing . At the end of the Geometric period the characteristic angularity of the human body tended to break down into a more rounded treatment , as can ...
This style , although clear enough in its characteristics , can perhaps be seen developing . At the end of the Geometric period the characteristic angularity of the human body tended to break down into a more rounded treatment , as can ...
الصفحة 296
The interest in realism can be seen in uncompromising fidelity to natural models in dramatic , emotional works . The influence of the past — both of the recent past of Lysippos and of the fifth and fourth centuries -- was still strong ...
The interest in realism can be seen in uncompromising fidelity to natural models in dramatic , emotional works . The influence of the past — both of the recent past of Lysippos and of the fifth and fourth centuries -- was still strong ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
The Mycenaeans | 62 |
The Geometric Period | 110 |
The Orientalizing Period | 132 |
حقوق النشر | |
1 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Acropolis Aegean Agora Excavations Alison Frantz American School amphora appear Archaeology Archaic architecture artist Athenian agora Athens Attica Bronze Age building cella central civilization Classical Studies coin colors columns Corinth Corinthian Cretan Crete cult decoration Deutsches Archäologisches Institut Doric order drapery earlier early east pediment evidence examples fifth century fourth century fresco frieze Geometric graves Greece Greek head Helladic Hellenistic period Herakles Hirmer Fotoarchiv Ionic Kerameikos Knossos known lamps later Lysippos mainland megaron meters metopes Minoan molded monument Munich Mycenae Mycenaean National Archaeological Museum Olympia opisthodomos original painted Painter Parthenon pediment Pergamon Altar perhaps Photo Plate pottery probably pronaos Pylos reconstruction Red Figure Reproduced by permission Roman sanctuary scenes School of Classical sculpture seen seventh century shape shown in Figure shows statue STOA stone Studies at Athens stylobate technique TERRA COTTA FIGURINES Thera tomb typical vase wall Zeus