Prayer in the Hebrew Bible: The Drama of Divine-human DialogueFortress Press, 1993 - 311 من الصفحات Balentine has forged new categories of analysis beyond our old critical pigeonholes. In the end, he has shown that prayer is neither a marginal activity undertaken after intellectual analysis nor an act of piety to fend off critical study . . . These prayer texts have required and permitted much hard, disciplined work in the long traditioning process. Now they offer to us an act of communication and a special world that refuses the voicelessness of technical society. In this world of Israel's faithful prayer and prayerful faith, the heavens are not empty, and the earth need not be mute. |
من داخل الكتاب
النتائج 1-3 من 39
الصفحة 24
... speech form , the conventional openings and closings , the traditional articulations in set situations , made spon- taneity truly possible ( p . 44 ) . Such " patterned prayer - speech " would be available at all times as an option open ...
... speech form , the conventional openings and closings , the traditional articulations in set situations , made spon- taneity truly possible ( p . 44 ) . Such " patterned prayer - speech " would be available at all times as an option open ...
الصفحة 49
... speech as a means of depicting char- acter . Especially in two - sided dialogues , which provide the contri- bution of both human and divine participants , direct speech may indeed reveal important character traits of the parties ...
... speech as a means of depicting char- acter . Especially in two - sided dialogues , which provide the contri- bution of both human and divine participants , direct speech may indeed reveal important character traits of the parties ...
الصفحة 89
... speech , as Alter observes , is one of the principal narrative techniques that assist the reader in evaluating the relationship between what char- acters say and what they do . ' On the one hand the prayers of Elijah reflect a ...
... speech , as Alter observes , is one of the principal narrative techniques that assist the reader in evaluating the relationship between what char- acters say and what they do . ' On the one hand the prayers of Elijah reflect a ...
المحتوى
The Method 13 33 | 13 |
In the Beginning God | 33 |
Prayer and the Depiction of Character | 48 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
affirmation Alten Testament attāh Balentine bārûk sentences biblical scholarship Book of Jeremiah Book of Job Brueggemann chapter character church complaint concerning confession Corvin covenant crisis cultic Deuteronomistic dialogue discussion divine justice divine response divine-human doxology Eichrodt Elijah emphasis ERSITY Esau evil Exod faith focus forgiveness form criticism Fretheim function Gebet God's Greenberg Habakkuk Hebraic Hebraic prayer Hebrew Bible theology Hezekiah historical human Ibid idem interpretation Israel Israelite Jacob Jehoshaphat Jeremiah Job's John Knox Jonah Judges judgment Kings literary liturgical LORD Moses narrative context Neukirchen NRSV Old Testament Theology perspective petition Philadelphia piety portrayed Praise and Lament pray prayer of Jacob present prophet prose prayers provides Psalms question relationship religion Reventlow rhetorical righteous Samuel SAN DIEGO scholars Solomon's specific speech structure suffering suggests summons temple theodicy tion tradition understanding Univ verses Walter Brueggemann Westermann words worship Yahweh Yhwh