Ancient Fiction: The Matrix of Early Christian and Jewish Narrative

الغلاف الأمامي
Jo-Ann A. Brant, Charles W. Hedrick, Chris Shea
Society of Biblical Lit, 2005 - 372 من الصفحات
The essays in this volume examine the relationship between ancient fiction in the Greco-Roman world and early Jewish and Christian narratives. They consider how those narratives imitated or exploited conventions of fiction to produce forms of literature that expressed new ideas or shaped community identity within the shifting social and political climates of their own societies. Major authors and texts surveyed include Chariton, Shakespeare, Homer, Vergil, Plato, Matthew, Mark, Luke, Daniel, 3 Maccabees, the Testament of Abraham, rabbinic midrash, the Apocryphal Acts, Ezekiel the Tragedian, and the Sophist Aelian. This diverse collection reveals and examines prevalent issues and syntheses in the making: the pervasive use and subversive power of imitation, the distinction between fiction and history, and the use of history in the expression of identity.

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الصفحات المحددة

المحتوى

Historical Fictions and the Shaping
5
The Educational Curriculum in Charitons Callirhoe
15
Vergil Homer and Acts 1011118
37
Pervo
61
Discourse Myth and Society
89
What Did
117
Mimesis and Dramatic Art in Ezekiel the Tragedians Exagoge
129
A Biblical StoryCollection
149
Resurrection and Social Perspectives in the Apocryphal
217
The Breasts of Hecuba and Those of the Daughters of Jerusalem
239
The Choral Crowds in the Tragedy according to St Matthew
255
The Summaries of Acts 2 4 and 5 and Utopian Literary
276
The Empty Tomb in the Gospels
297
Bibliography
313
Contributors
345
Index of Modern Authors
362

An AntiDionysian Polemic
167
Jared W Ludlow
199

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عبارات ومصطلحات مألوفة

مقاطع مشهورة

الصفحة xi - SBLDS Society of Biblical Literature Dissertation Series SBLMS Society of Biblical Literature Monograph Series...
الصفحة 126 - You and I, Adeimantus, at this moment are not poets, but founders of a State : now the founders of a State ought to know the general forms in which poets should cast their tales, and the limits which must be observed by them, but to make the tales is not their business. Very true, he said; but what are these forms of theology which you mean? Something of this kind, I replied : God is always to be represented as he truly is, whatever be the sort of poetry, epic, lyric, or tragic, in which the representation...
الصفحة 63 - I am a Jew, born in Tarsus of Cilicia, but brought up in this city, at the feet of Gamaliel, instructed according to the strict manner of the law of our fathers...
الصفحة x - JAAR Journal of the American Academy of Religion JBL Journal of Biblical Literature...
الصفحة 68 - For he grew up before him like a young plant, and like a root out of dry ground; he had no form or majesty that we should look at him, nothing in his appearance that we should desire him. He was despised and rejected by others; a man of suffering and acquainted with infirmity; and as one from whom others hide their faces he was despised, and we held him of no account.
الصفحة ix - BZAW Beihefte zur Zeitschrift fur die alttestamentliche Wissenschaft BZNW Beihefte zur Zeitschrift fur die neutestamentliche Wissenschaft CBQ Catholic Biblical Quarterly CBQMS Catholic Biblical Quarterly Monograph Series...
الصفحة 218 - Caroline Walker Bynum, The Resurrection of the Body in Western Christianity, 200-1336 (New York: Columbia University Press, 1995), 68.
الصفحة 302 - Mark became Peter's interpreter and wrote accurately all that he remembered, not, indeed, in order, of the things said and done by the Lord. For he had not heard the Lord, nor had he followed him, but later on, as I said, followed Peter, who used to give teaching...
الصفحة 205 - Parodie' folgendermaßen: ...alleged representation, usually comic, of a literary text or other artistic object - ie a representation of a "modelled reality", which is itself already a particular representation of an original "reality".

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